CONSULTORÍA EN ARTE | PAG Art Advisory | Mexico City

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JUAN CARLOS DEL VALLE

PREGUNTAR POR OBRA DISPONIBLE

Una concha, una mano, un espejo, una flor. En Alfonso Michel, todo parece guardar un secreto 🐚

Magia pura en la @gamgaleria

Una concha, una mano, un espejo, una flor. En Alfonso Michel, todo parece guardar un secreto 🐚

Magia pura en la @gamgaleria

Me encanta ir a ver exposiciones de pintura.

Profundo México, en @galeriahilariogalguera, reúne a Daniel Lezama (@daniellezamapintor) y Gilberto Aceves Navarro (@gilbertoacevesnavarro) en conversación pictórica.

Hay desnudos, paisajes, escenas alegóricas y gestos casi abstractos. Hay pintura lenta y pintura urgente. Y, aun así, el encuentro fluye con una naturalidad sorprendente.

El cuerpo aparece una y otra vez: heroico, vulnerable, cotidiano, mítico. El cuerpo como territorio desde donde pensar la historia, la identidad y el deseo 🔥❤️‍🔥

Me encanta ir a ver exposiciones de pintura.

Profundo México, en @galeriahilariogalguera, reúne a Daniel Lezama (@daniellezamapintor) y Gilberto Aceves Navarro (@gilbertoacevesnavarro) en conversación pictórica.

Hay desnudos, paisajes, escenas alegóricas y gestos casi abstractos. Hay pintura lenta y pintura urgente. Y, aun así, el encuentro fluye con una naturalidad sorprendente.

El cuerpo aparece una y otra vez: heroico, vulnerable, cotidiano, mítico. El cuerpo como territorio desde donde pensar la historia, la identidad y el deseo 🔥❤️‍🔥

Diego Rivera became one of the most famous artists of the 20th century. Most of his classmates did not.

This photograph, taken at the Escuela Nacional de Bellas Artes around 1900, captures a generation of young artists studying under Antonio Fabrés, the Catalan painter whose rigorous teaching transformed artistic education in Mexico. Among them was Alberto Garduño.

Today, Garduño is largely absent from art history surveys, yet his work reveals a remarkable sensitivity to atmosphere, architecture, and place. His watercolors, painted during travels through Italy, Spain, the Middle East, and Mexico, balance technical precision with an almost effortless sense of light.

Several works from this private collection are currently available ✨

Diego Rivera became one of the most famous artists of the 20th century. Most of his classmates did not.

This photograph, taken at the Escuela Nacional de Bellas Artes around 1900, captures a generation of young artists studying under Antonio Fabrés, the Catalan painter whose rigorous teaching transformed artistic education in Mexico. Among them was Alberto Garduño.

Today, Garduño is largely absent from art history surveys, yet his work reveals a remarkable sensitivity to atmosphere, architecture, and place. His watercolors, painted during travels through Italy, Spain, the Middle East, and Mexico, balance technical precision with an almost effortless sense of light.

Several works from this private collection are currently available ✨

A woman obsessed. A woman in pain ❤️‍🔥💔

A woman obsessed. A woman in pain ❤️‍🔥💔

A place where friendships become form.

Kati Horna + Her Friends brings together works shaped by affinity, imagination, and dialogue across generations. A constellation of artists whose worlds touch through shared sensibilities.

Happy to see @jcdelvalle_official included in this remarkable gathering.

On view at Georgina Pounds Gallery, Mexico City.
Through May 24, 2026.

@georginapoundsgallery

A place where friendships become form.

Kati Horna + Her Friends brings together works shaped by affinity, imagination, and dialogue across generations. A constellation of artists whose worlds touch through shared sensibilities.

Happy to see @jcdelvalle_official included in this remarkable gathering.

On view at Georgina Pounds Gallery, Mexico City.
Through May 24, 2026.

@georginapoundsgallery

Peter Clossick’s (@peterclossick) brushwork is unapologetically physical. Paint accumulates, resists polish. Figures emerge through sustained looking and the visible labor of making. This material truth, the thickness of paint, the tension of line, the persistence of observation, places him firmly within the English tradition of figurative intensity.

In a culture of instant circulation, Clossick’s paintings ask for time. They remind us that identity is fragile, but also resilient. That representation can still be an act of sincerity. That to insist on the human body, fully observed, is quietly radical.

1. Hellenistic Statue, 2022
2. In Memory of Frank Auerbach, 1984
3. Leegate Lockdown, 2023
4. Icon Reflection, 2025
5. Lils, 2025

Peter Clossick’s (@peterclossick) brushwork is unapologetically physical. Paint accumulates, resists polish. Figures emerge through sustained looking and the visible labor of making. This material truth, the thickness of paint, the tension of line, the persistence of observation, places him firmly within the English tradition of figurative intensity.

In a culture of instant circulation, Clossick’s paintings ask for time. They remind us that identity is fragile, but also resilient. That representation can still be an act of sincerity. That to insist on the human body, fully observed, is quietly radical.

1. Hellenistic Statue, 2022
2. In Memory of Frank Auerbach, 1984
3. Leegate Lockdown, 2023
4. Icon Reflection, 2025
5. Lils, 2025

A brief walk through Kati Horna + Her Friends.

Amidst portraits, fictions, and friendships, Juan Carlos del Valle’s still lifes return us to the table: to the quiet rituals of gathering and presence.

On view at @georginapoundsgallery
Mexico City
Through May 24, 2026

A brief walk through Kati Horna + Her Friends.

Amidst portraits, fictions, and friendships, Juan Carlos del Valle’s still lifes return us to the table: to the quiet rituals of gathering and presence.

On view at @georginapoundsgallery
Mexico City
Through May 24, 2026

Cuerpos que se abren como pintura 🧠🫁🫀

En la obra de @octaviomoctezuma, la materia no representa. Se acumula, se derrama, se vuelve órgano.

Hay algo profundamente sugerente en esa fricción entre lo pictórico y lo visceral, como si la pintura no describiera el cuerpo, sino que lo reconstruyera desde adentro.

Materia pictórica. Materia orgánica. En Interocepciones, curada por @emmanuel_albarranr en @galeriagobernador

Cuerpos que se abren como pintura 🧠🫁🫀

En la obra de @octaviomoctezuma, la materia no representa. Se acumula, se derrama, se vuelve órgano.

Hay algo profundamente sugerente en esa fricción entre lo pictórico y lo visceral, como si la pintura no describiera el cuerpo, sino que lo reconstruyera desde adentro.

Materia pictórica. Materia orgánica. En Interocepciones, curada por @emmanuel_albarranr en @galeriagobernador

Tarde en Studio Lazcano con Perla Krauze, recorriendo su instalación y hablando de piedra, tiempo y paisaje.

Obra poética, pedregosa.

No nos queríamos ir 🤍

@jcdelvalle_official
@krauzeperla
@studiolazcano

Tarde en Studio Lazcano con Perla Krauze, recorriendo su instalación y hablando de piedra, tiempo y paisaje.

Obra poética, pedregosa.

No nos queríamos ir 🤍

@jcdelvalle_official
@krauzeperla
@studiolazcano

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