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JUAN CARLOS DEL VALLE

PREGUNTAR POR OBRA DISPONIBLE

Pedro Galarza Durán may not be a household name, but his paintings — with thick brushstrokes and soft light — hold a quiet power that speaks to the essence of a forgotten Mexico.

There’s a particular thrill in rediscovering artists like him: those whose work has shaped the visual landscape but remain tucked away in the corners of art history. It’s a joy to unearth their stories and share their brilliance.

This carousel is a small tribute to the creamy impastos and golden light that bring his work to life.✨

Pedro Galarza Durán may not be a household name, but his paintings — with thick brushstrokes and soft light — hold a quiet power that speaks to the essence of a forgotten Mexico.

There’s a particular thrill in rediscovering artists like him: those whose work has shaped the visual landscape but remain tucked away in the corners of art history. It’s a joy to unearth their stories and share their brilliance.

This carousel is a small tribute to the creamy impastos and golden light that bring his work to life.✨

Every object has a story — of hands, history, and heritage. Today we spotlight the importance of tracing an artwork’s origin to protect cultural legacy and authenticity. Happy International Provenance Day! ✨

Every object has a story — of hands, history, and heritage. Today we spotlight the importance of tracing an artwork’s origin to protect cultural legacy and authenticity. Happy International Provenance Day! ✨

The best place to see wonderfully curated, high-quality contemporary international painting in Mexico City @oliviafoundation 🙌🙌🙌
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These are shots from its current shows, “Woman in a Rowboat” and “Sabine Moritz: Ara”:

1. Sabine Moritz, Ara, 2024 @sabine_moritz_r
2. Sabine Moritz, Two Roses, 2023.
3. Sarah Lucas, Something Celia Said, 2019 & Martha Jungwirth, Ohne Titel, 2023.
4. Martha Jungwirth, Ohne Titel, 2023.
5. Tomm El-Saieh, Dezòd, 2023-24 @tommelsaieh
6. Joan Semmel, Cross-Over, 1979.
7. Willem de Kooning, Woman in a Rowboat, 1965 @willemdekooningfoundation
8. Gertrude Abercrombie, Cat, 1956.

Both curated by @nawinawinawi

The best place to see wonderfully curated, high-quality contemporary international painting in Mexico City @oliviafoundation 🙌🙌🙌
.
These are shots from its current shows, “Woman in a Rowboat” and “Sabine Moritz: Ara”:

1. Sabine Moritz, Ara, 2024 @sabine_moritz_r
2. Sabine Moritz, Two Roses, 2023.
3. Sarah Lucas, Something Celia Said, 2019 & Martha Jungwirth, Ohne Titel, 2023.
4. Martha Jungwirth, Ohne Titel, 2023.
5. Tomm El-Saieh, Dezòd, 2023-24 @tommelsaieh
6. Joan Semmel, Cross-Over, 1979.
7. Willem de Kooning, Woman in a Rowboat, 1965 @willemdekooningfoundation
8. Gertrude Abercrombie, Cat, 1956.

Both curated by @nawinawinawi

Curating my thoughts, one egg at a time 🥚

Curating my thoughts, one egg at a time 🥚

What’s in a name? 🖊️

I find signatures on paintings fascinating. I try to imagine that final assessment before signing, the last brushstroke. They often make me wonder about the human beyond the artist: who loved them? What made them laugh?

And then there are the unsigned works, which intrigue me as much. Who was this person, forever unknown, who painted this?

What’s in a name? 🖊️

I find signatures on paintings fascinating. I try to imagine that final assessment before signing, the last brushstroke. They often make me wonder about the human beyond the artist: who loved them? What made them laugh?

And then there are the unsigned works, which intrigue me as much. Who was this person, forever unknown, who painted this?

Casa de Gabriel García Márquez 🌿🌱

"La primavera era una estación del alma, que florecía con el alma, y con el alma se secaba."

Cien años de soledad.

@casagabrielgarciamarquez

Casa de Gabriel García Márquez 🌿🌱

"La primavera era una estación del alma, que florecía con el alma, y con el alma se secaba."

Cien años de soledad.

@casagabrielgarciamarquez

Stopped in my tracks by this beauty ✨🌸 @oliviafoundation
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Pierre Auguste Renoir, Cagnes, 1911.

Stopped in my tracks by this beauty ✨🌸 @oliviafoundation
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Pierre Auguste Renoir, Cagnes, 1911.

Es un honor estar entre estas 10 mujeres talentosas e influyentes en las artes según @GlamourMexico 💫 Soy consciente de lo importante que es usar cualquier tipo de influencia, grande o pequeña, para generar un impacto positivo en este mundo tan caótico. Realmente amo el trabajo que hago. ¡Que venga mucho más! ✨

Un agradecimiento especial a @federicodequevedo por hacer esta increíble compilación 🤍

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Honored to be listed among these 10 very influential women in the arts by @GlamourMexico 💫 It’s not lost on me how important it is to use any influence, big or small, to make a positive impact in this messy world of ours. I really am passionate about the work I get to do. Here’s to working even harder for good ✨

Special thanks to @federicodequevedo for doing an amazing job on this list 🤍

Es un honor estar entre estas 10 mujeres talentosas e influyentes en las artes según @GlamourMexico 💫 Soy consciente de lo importante que es usar cualquier tipo de influencia, grande o pequeña, para generar un impacto positivo en este mundo tan caótico. Realmente amo el trabajo que hago. ¡Que venga mucho más! ✨

Un agradecimiento especial a @federicodequevedo por hacer esta increíble compilación 🤍

-

Honored to be listed among these 10 very influential women in the arts by @GlamourMexico 💫 It’s not lost on me how important it is to use any influence, big or small, to make a positive impact in this messy world of ours. I really am passionate about the work I get to do. Here’s to working even harder for good ✨

Special thanks to @federicodequevedo for doing an amazing job on this list 🤍

Recently visited the small show “Cristos en prisión” at @saladeartepublicosiqueiros—an exhibition that mainly focuses on Siqueiros’s representations of Christ while imprisoned. ⁠
⁠
While the exploration of themes such as freedom, confinement, and the human experience of suffering, injustice, and repression remains as relevant as ever, and I did enjoy a few striking artworks, I left feeling a bit unsatisfied.

Recently visited the small show “Cristos en prisión” at @saladeartepublicosiqueiros—an exhibition that mainly focuses on Siqueiros’s representations of Christ while imprisoned. ⁠
⁠
While the exploration of themes such as freedom, confinement, and the human experience of suffering, injustice, and repression remains as relevant as ever, and I did enjoy a few striking artworks, I left feeling a bit unsatisfied.

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contacto | pilar@pagartadvisory.com

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